You are unlikely to ever forget this book.
I could spend this entire post heaping superlatives on Unbroken and be justified in doing so. It is enthralling and inspiring but it is also frightening, painful, and draining. Author Hillenbrand already dazzled me with Seabiscuit, a book I snobbishly dismissed many years ago ("A book about an old racehorse? Bah!") Then I read it and couldn't believe how moved I was by the story of a racehorse, a jockey, a trainer and an owner. It was not only the story but how well it was told that made me a fervent believer in her abilities, so much so that I will read whatever she writes.
Unbroken is the story of Louis Zamperini, an Italian-American born in California when it was still teeming with orange groves and wide open spaces. He was an average kid with a hyper streak who then became something of a delinquent, taking to fighting, petty crimes, trouble in school, the whole megillah. In his teens, his brother works to channel Louie's vast energies into running track at which he excels, setting records and ultimately winning a spot on the 1936 U. S. Olympic team where he competes in Hitler's Berlin. Louie doesn't medal but is well within range of breaking the four minute mile and sets his sites on the 1940 Olympics (it would be another eighteen years before Roger Bannister achieved the feat). The rub? Hitler invades Poland in 1939 and you know the rest.
Louie enlists and becomes a bombardier on a B-24 that is rife with problems and this is really where Unbroken begins. In 1943, his plane goes down in the Pacific and Louie is one of three survivors. For the next 47 days, he and his two crew mates drift helplessly for almost 2000 miles. They run out of supplies, the rafts are slowly disintegrating from the salt water, and sharks circle them mercilessly, often rubbing their dorsal fins against the mens' backs from beneath the raft. One of them dies before they come aground in the Marshall Islands where they are taken prisoner by the Japanese. The Army Air Corps had long since stopped searching. As Art Spiegelman wrote in Maus, "And here my troubles began..."
For the next two years, Louie was in a series of POW camps, each worse than the last. Since we rebuilt Japan after the war and they have become our friends, we seem to have forgotten how brutal they were during WWII. That comes to an abrupt halt as you read about the endless cruelties GI's suffered and Louie, especially. Because he was famous back in the States, he was repeatedly singled out for additional punishment. This portion of the book is difficult to read and ultimately exhausting which is not to say it is boring or less well-written. Reading about the ceaseless, senseless brutality made me squirm. It brought me down and it made me yearn for the story to be over. However, it wasn't until I finished the book that I realized this was done on purpose by Hillenbrand. By continually cataloging the pain and humiliation, the author gives the reader the tiniest sense of what Zamperini must have endured, the sense that no end was in sight from the physical and psychological torment, that no one could stop the suffering.
Without spoiling absolutely everything, I will leave it to you to pick up this remarkable book, a testament to endurance, hope and forgiveness. Once you have read it (and not before), check out the CBS Sunday Morning piece about Louie and the author. You can find it on YouTube.
Tuesday, October 15, 2013
Friday, October 04, 2013
I Shudder by Paul Rudnick
At least a year ago I ran into my friend, Janet, the Grand Dame of Bookselling. She always has more than a few suggestions for me and told me how I must read I Shudder by Paul Rudnick. She thought it was my kind of humor. Dutifully, I added it to my list of books to be purchased. It was several months before I found a beautiful hardcover at my favorite used book grotto and, as usual, she was right.
Rudnick is best-known as a playwright (I Hate Hamlet, Jeffrey) and has had some Hollywood successes (Addams Family Values, In & Out), as well. Sub-titled And Other Reactions to Life, Death and New Jersey, I Shudder is a series of rollicking personal essays interrupted by the fictional diary entries of Elyot Vionnet, a persnickety aesthete and substitute teacher.
The essays are sprightly personal pieces describing friends, family and experiences. His reminiscense of the Chelsea Hotel and it's merry mess of oddfellows only adds to my fascination with 1970's New York, an age when people could actually afford to live in Manhattan. The opening piece, The Sisters, a fond though stinging look at his mother and aunts not only had me laughing and nodding but imagining my mother and sisters behaving the same way had they lived in the same city. Enter Trembling, his piece about Hollywood exec Scott Rudin brings warmth and humanity to a ruthless Type-A type.
There are five pieces billed as excerpts "from the Most Deeply Intimate and Personal Diary of One Elyot Vionnet" and they were far and away my favorites. I found both the character and how Rudnick writes these pieces very reminiscent of the hilarious minutiae of S. J. Perelman entwined with the haughtiness of a Thurber man.
To give you a taste of what I found so funny, here Vionnet describes his underwear: "...my intimate apparel is manufactured from a Swiss cotton of such whisper-soft resilience that it is normally used only to wrap the painfully sensitive faces of the world's wealthiest women as they recuperate from acid peels in private clinics. Unlike these women's jowls and browlines, however, my undergarments require mending only once per decade, when I mail them to a Long Island convent, where the nuns compete to gently darn and patch my private attire because, as Sister Herbert Elizabeth once wrote to me, in her own blood, "Mr. Vionnet, your boxer sorts and undershirts do not merely speak to me. They sing.'"
Needless to say, when I read this, I awakened Mrs. Next with my howls of laughter.
Rudnick is best-known as a playwright (I Hate Hamlet, Jeffrey) and has had some Hollywood successes (Addams Family Values, In & Out), as well. Sub-titled And Other Reactions to Life, Death and New Jersey, I Shudder is a series of rollicking personal essays interrupted by the fictional diary entries of Elyot Vionnet, a persnickety aesthete and substitute teacher.
The essays are sprightly personal pieces describing friends, family and experiences. His reminiscense of the Chelsea Hotel and it's merry mess of oddfellows only adds to my fascination with 1970's New York, an age when people could actually afford to live in Manhattan. The opening piece, The Sisters, a fond though stinging look at his mother and aunts not only had me laughing and nodding but imagining my mother and sisters behaving the same way had they lived in the same city. Enter Trembling, his piece about Hollywood exec Scott Rudin brings warmth and humanity to a ruthless Type-A type.
There are five pieces billed as excerpts "from the Most Deeply Intimate and Personal Diary of One Elyot Vionnet" and they were far and away my favorites. I found both the character and how Rudnick writes these pieces very reminiscent of the hilarious minutiae of S. J. Perelman entwined with the haughtiness of a Thurber man.
To give you a taste of what I found so funny, here Vionnet describes his underwear: "...my intimate apparel is manufactured from a Swiss cotton of such whisper-soft resilience that it is normally used only to wrap the painfully sensitive faces of the world's wealthiest women as they recuperate from acid peels in private clinics. Unlike these women's jowls and browlines, however, my undergarments require mending only once per decade, when I mail them to a Long Island convent, where the nuns compete to gently darn and patch my private attire because, as Sister Herbert Elizabeth once wrote to me, in her own blood, "Mr. Vionnet, your boxer sorts and undershirts do not merely speak to me. They sing.'"
Needless to say, when I read this, I awakened Mrs. Next with my howls of laughter.
Labels:
I Shudder,
James Thurber,
Paul Rudnick,
S. J. Perelman,
Scott Rudin
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